Lost in Space

Science fiction shows were all the rage, growing up in the 1960s. One of the most popular ones was Lost in Space. It ran from 1965 to 1968 for the CBS network and 83 episodes were aired. The setting was in the future, in 1997 and Earth was suffering from overpopulation and a lack of essential resources. Another planet, suitable for humans, must be found and the Robinson family volunteer for the mission.

Inspired by the Swiss Family Robinson story, the show was an adventure series, enjoyed by all the family. The story begins with the Robinson family setting out in their spaceship, the Jupiter 2. Professor John Robinson (Guy Williams) leads the expedition. He is accompanied by his wife, Dr Maureen Robinson (June Lockhart), and their three children, Will, Judy and Penny. Other members of the crew include their friend and trained pilot, Major Don West (Mark Goddard) and the Robot.

This is not a straightforward mission, however, as they have an uninvited guest on board. Psychologist Dr Zachary Smith (Jonathan Harris) was intent on sabotaging the spaceship, only to become trapped on board with the others. The extra payload of having Smith interferes with the ship’s systems and the mission goes off course. Several guests appeared on Lost in Space, including some actors that would go on to be major stars. They included Michael J.Pollard, Kurt Russell and Daniel J. Travanti.

The complete series is available on DVD for fans that want to go down memory lane and for a new generation that missed it on TV. In addition to showing every episode, there are extras containing interviews with cast members and bloopers. Interest in the old Lost in Space was revived when a feature film version was released in 1998. It had an impressive cast and fans enjoyed seeing their show on the big screen. William Hurt played Professor John Robinson and Matt LeBlanc (Joey in Friends) took the role of Major Don West. Other cast members included Heather Graham and Mimi Rogers.

There is a range of merchandise available, in association with the show. This includes posters of the film and soundtrack CDs from the original series. Composer John Williams composed the theme tune and score, making futuristic, electronic sounds. There is a lot of interest in the Robot character. It had its own personality and technology enthusiasts can buy full size replicas of the robot. There is even a robot builders’ club, dedicated to Lost in Space.

Types of Theatre and Their Affect

The history of theatre arts can be dated back to as early as the period of ancient Greek. Since then the various eras witnessed changes in the types of theatre stages, which affected the actors and also gave rise to different forms of acting.

In ancient Greece, plays were staged to mark a religious occasion in theatres where only prestigious men were allowed as at that time women and slaves were looked down upon in the society. Theatres popularly known as amphitheatres housed a large round stage which was encircled three-fourth by audience. This is how a stage would be set in the Greek Era. Amphitheatre could accommodate an audience of 25,000 at a time which made it very difficult to see what’s going on for the audience at the back. To overcome this obstruction the actors would be loud with grandiose voice and enormous gestures and to be more noticeable wore mask and symbolical attires. High pitched chorus was used to as a means of cautioning of an upcoming event or to advice co-actors. To improve the visibility and to give a deception of reality to the plays they were held in daylight and a real landscape acted as the background of the play.

In the medieval era facilities were more commonly available to many of the inhabitants of the community. Theatres too were no longer reserved for the rich. Plays were held on wagons better known as pageants. The wagon would be dragged into the marketplace where the play was decided to be held. Spectators would surround the stage from all sides and would watch the play. The themes of most of the plays at that time were the daily happenings and day to day experiences depicted as an ironic comedy or as a genuine mime depending on the taste of the audience. This created an interaction between the audience and the actors with the audience expressing their views on the theme.

During the Renaissance Period theatre performance took the form of professional performance more than an artistic one. The blueblood of England started investing into performing groups and theatres with an apron stage. The apron stage had a rectangular platform with nearly an audience of 2,000 surrounding the three sides of it and was in close proximity with the actors performing on stage. With the wealthy aristocrats funding the plays the costumes were designed with more details and were elegant. Plays were enacted at daytime which made the creation of illusion of nighttime difficult which was overcome by dispatching the information as a part of an actor’s dialogue which is termed as word scenery. Denizens from all sects of the society attended these plays so an effort was made to please a large array of spectators by taking different storylines into consideration.

The period around the seventeenth and eighteenth century was known as the Restoration period. The theatres around this time were smaller than those of the Renaissance period and held up to 500 spectators at a time. This period gave an end to daylight lit auditoriums replacing them with closed rooms lit completely with man-made light. Stages were bounded with decorated frames but with no curtains like the modern times. Although the audiences weren’t in close vicinity of the stage, a small stage protruded into the auditorium so as to increase the interaction between the audience and the actors. Lack of curtain hindered the privacy of changing of scenes which affected the realistic illusion. Performances by the restoration period were character driven with more emphasis on the perfectionism, social issues, and scenery.

The stage in the later centuries evolved into what is known as the proscenium stage or picture frame stage. It’s designed and named after the technique of how one visualizes a picture. There is a defined separation between the spectators and the actors with the introduction of ramp. Curtains added to this and the same time gave privacy to change scenes thus creating a realistic and elaborated picturization. The auditorium is darkened during the performance there by increasing the concentration of the audience. Modern technologies and aids have made illustration more interesting and realistic and made the art even more interesting and popular.

Puppet Art in Asia

Puppet Art is popular in many countries of Asia. Indonesian Puppet shadow play was known as Wayang Kulit which originated from Bali and Java. The term Wayang Kulit has been derived from the words “Warang” meaning ghost or shadow and “Kulit” meaning leather and when put together meant shadow from leather. They used two-dimensional figures, flat and round and were made with the hide of a buffalo. The sticks attached to these figures were planted in the banana stems which were placed beneath a cloth screen onto which the shadow of the puppet was casted. The right side of the stage was occupied by the good characters; where as the left side was occupied by the wrong doers. They are maneuvered by puppeteers know as “Dalang”. Puppet art was very exhausting at that time, the show used to go on for nine hours in the night with the puppeteer sitting cross-legged without a wink. He was even expected to play Rebab, the two-stringed violin, with one hand and handle the Chempala or the strings of the puppet with another hand. The themes of these shows were the Javanese versions of the two hundred stories from Hindu epics Ramayana and Mahabharata which are referred to as Rama cycle and Pandawa cycle respectively. The puppet show involving three-dimensional puppets were known as Wayang Golek.

Shadow puppetry took its full form in Tang Dynasty. That era was known as “The Age of 1000 Entertainments”. The two different kinds of puppetry are Cantonese and Pekingese. They differ in the production of the puppets and the way by which these puppets are being positioned with the help of rods, though the theme is same in both the techniques, that is, they revolve around stories with elements of adventurous fiction. Thick leather was used in the manufacturing of Cantonese puppets, so as to create a good shadow. The colors were used to represent different characters. A brave man had a red facial color where as an honest character had a black face. The rod was attached perpendicularly to the head of the puppet to make them less visible during the shadow performance. The puppets were bigger than Pekingese puppets. On the other hand the Pekingese puppets were more petite and were made out of thin and translucent leather which made them more fragile. They were equally good for the shadow performance as they were colored very vividly. Thin rods were attached to the neck of the figure and weren’t visible during the performance. The Chinese puppeteers had a superstition that the puppets will come to life at night if the head was kept intact with the body. So the head was separated from the body and the body was stored in a box. With respect to time, shadow puppetry started flourishing and reached its prime in the eleventh century.

Puppetry blossomed in the Indian villages and became an integral part of the folk culture. The puppets of India can be broadly classified as rod, thread, shadow and glove puppets which are made out of material like leather, wood, wool or cloth. Usually these puppets have a small body with an outstanding head with large eyes to add charm and personality. The villain has characteristic dark goggle eyes; the hero of the story has light eyes. Hands are made out of cloth bags stuffed with hands and most of the puppets have no legs which are substituted by a long robe. Exceptions are the ones who have to ride horses. The male puppets are made to wear turbans and chase the bad guy, fight and even fall dead and the female puppets have braided ponytails and hold their skirts in their hand while dancing. The head-puppeteer moves the puppets with the help of strings or rods and usually provides the voice and the female voices and songs are provided by his wife and kids. Denizens of the states Andhra Pradesh, Karnataka,
Kerala, Orissa and Rajasthan are well known to have mastered the art of puppetry. The drawback of puppetry is that it lacks facial expression. Exaggeration and distortion should be provided to achieve the best results. But the humor provided is incomparable which make this irreplaceable art unique in itself.

Origin of Theater Arts

The early man as a means of interaction, to express their inner thoughts and a means to recording events, discovered arts. The ancient caves; monuments and scripts preserved in the museums bear witness to that fact. As we evolved, so did art. Art has reached such height that now it can be classified into various categories that further have subcategories. Different regions and civilizations have different forms, which have a deep influence of the culture. Vaguely arts can be distinguished as one depicted by expressing it on a medium like paintings, sculptures, architecture, and crafts and the other having human body involvement like acting, gestures, dialogues and singing. On this basis broad classifications of arts that can be made are visual arts, culinary arts, performing arts and language art.

Ancient Greeks played a major role in the persuasion of art associating with human form, which comes under the category of performing arts. Here the human figure is used as a medium of expressing art rather than materials like stone, metal, clay or paint. But to support the human form of art, clay or metal model more vividly known as props are used to enhance the performance which come under the category of plastic arts. Some of the subcategories of performing arts are theater, dance, music, magic, opera, juggling, film, comedy, acrobatics, martial arts, and marching arts such as brass bands. Accordingly the human performers depicting these sub classes of performing arts are known as actors, dances, musicians, magician, singers, jugglers, comedians and acrobats.

The word theater also originated from the Greek word “Theatron” which means “Place of Seeing”. Plays were held on special events having religious importance, so the main idea revolved around ancient roman gods with the role of male gods being enacted with musculature, elegance and poise where as the female gods being enacted with beauty, grace and anatomically correct magnitude. Singing was also used as a means of enacting other than dialogue delivery. Along with the costumes masks were also a part of the actors’ attire. The stage was set in a realistic landscape backdrop.

During the middle ages storylines of the plays were mostly based on biblical incidences with an influence of the Byzantine and Gothic art. The Eastern art was mostly influenced by the Western medieval art. Not much concentration was paid to the realistic illustration. The costumes too were surface patterning, which means the basic color of the robe was emphasized upon rather than enhancing it by playing with light.

The nineteenth and the twentieth century saw a revolution being effected by the discoveries made during that era by Aristotle, Einstein and Newton. Light was used to modulate the color and to bring about a realistic feeling by creating an environment to absorb the audience into it. As inventions were made, traveling became very easy. This led to the influence of one culture over the other, which also globalized the western taste in theaters around the world.

As time progressed there have been diverse changes in theater arts that depicted different culture and moral values. The themes have revolved around fairytales, fables, religion, folktales, comedy, fiction, tragedy, romance, legend, history, epic, biography, adventure and material truths. The different forms of theater arts are mime, opera, kabuki, ballet, classical Indian dance, Chinese opera, pantomime and mummers’ play. Today Theater Arts are as important form of art as any other arts and attracts all art lovers towards it.

Greek Theater Arts

The Greeks had denizens excelling in all kinds of trade and they had a habit of excelling in their respective fields irrespective of whatever constraints are presented to them. Although the Greeks were known to be great warriors and athletes they were also good in artistic fields such as theater, pottery and philosophy. Athens was the scholastic epicenter of ancient Greece and was named after the goddess of wisdom, Athena. Theaters of Greece flourished during 500-300 BC which has an effect on theater arts till this date.

Theater was symbolized by two masks which represented the masks worn during comedy and tragedy. They also depicted the dual nature of life. The tragic mask had a painful and mourning expression and the comedy mask had a joyful and smiling expression.

Festivals were held to honor the theater arts. Every year at the Theater of Dionysia named after the Greek god of wine and fertility Dionysus, festival was held for ten days to please the gods. Writers and poets from all over Greek gather to perform. The schedule consisted of plays based on tragedies or comedies which were followed by a short farce. It was from the poetry of Aristotle. He wrote songs, known as dithyrambs, to praise god Dionysus out of which tragic stories began evolved.

In 500 BC, another theater art was discovered by Thespis. It involved a single actor playing various roles by wearing different masks to differentiate between the characters. Other than him there were narrators and commentators on stage with whom the actor used to collaborate. This type of theater arts was recognized as tragedy which meant goat skin in Greek. It was either named after the event of sacrificing goat to gods or after the goad skin worn by the performers. Competitions were being conducted in festival at theater of Dionysia. Thespis was the first known actor of ancient Greek.

Aeshylus, in 471 BC, introduced plays having two actors who interacted with each other using dialogue. A third actor was introduced by Sophocles in 468 BC and thus the plots too became complicated. But each actor was to enact different characters wearing mask accordingly. The masks were so large that it covered the entire face of the actor including his hair. The mask was carved with care because that increased audibility of the actor’s voice. These masks were made out of linen or cork, that’s the reason why the archeologist couldn’t find a trace of them. The sculptured statues and paintings depicted actors wearing mask this was how the information was collected. Props weren’t still were restrained from usage because the size of the theater were so large, it diminished the visibility of the spectators seated on higher levels. To make up for this, Pantomime was used by the actors. This also meant that the actors wore bright dresses and loud makeup to attract the attention of the audience. Along with that the actors wore high heeled boots and large gloves to make them more vividly visible. Stories not only revolved around Dionysus but also were based on other Greek mythological characters.

The structure of the theater at that time was known as Theatron. They were open-aired and were constructed on the slopes as the seating arrangement for the spectators was in the form of ascending circles. The theaters were designed such that the voice of the performers could reach the highest seated audience. In the theater at Epidaurus one can hear the sound of a dropped pin from the highest row. The three essential elements of the theater, in Greece, were orchestra or the platform, on which performance was done, the Skene, was a building which acted as the backstage as well as the background of the play and the last element is the audience.

The audience and performers at all theaters were only men as at that time women were considered to be the downtrodden sect. The actors as well as the chorus could speak dialogue or even sing as required. Detailed costumes and huge mask were worn while enacting the roles and was the trademark of Greek theater.